00:00:15 葛亮簡介：倫敦國王學院數(shù)字人文系講師00:01:50 學術(shù)軌跡的變化：文本到人00:12:30 數(shù)字人文系的介紹00:19:01 博士論文主題：耽美與情動、欲望、主體性00:21:57 情動的三個研究流派：TomkinsSedgwick; 斯賓諾莎德勒茲；Sara Ahmed00:27:55 中國研究脈絡(luò)中的“情教”相關(guān)的討論00:29:05 研究方法：對作者、作品、讀者的研究，作為文化現(xiàn)象的研究00:41:20 與受訪者建立信任感和親密關(guān)系；線下、線上、文字訪談00:50:07 對耽美作品建立分級制度；耽美作為創(chuàng)意性文本對性教育的作用01:00:25 05后讀者的特點：愛國主義；性蕭條和經(jīng)濟蕭條；黃文作為催眠工具01:04:05 耽美作者、讀者的地域特征和群體身份01:08:07 耽美與科幻的交叉：一十四洲《小蘑菇》01:12:11 《小蘑菇》中人與非人的酷兒愛戀01:17:30 ABO世界觀、《小蘑菇》中的生育勞動01:27:35 主體性與矛盾場01:29:30 推薦耽美作品節(jié)目中提到的人與書：趙樹理，《小二黑結(jié)婚》；《李家莊的變遷》Ann Swidler; Michele Lamont; Jeffrey AlexanderNick Srnicek, Platform CapitalismLiang Ge, PhD Thesis: In, With and Through Ambivalence: Subjectivities, Desires and Affects of Chinese Danmei Participants in Producing and Consuming Male-Male Romances and/or EroticaSilvan TomkinsEve Sedgwick, Touching Feeling: Affect, Pedagogy, PerformativityBrian Massumi, Parables for the virtual: Movement, Affect, SensationSara Ahmed, The Cultural Politics of Emotion馮夢龍，湯顯祖Ge, L. (2024). Ambivalent affective labor: The datafication of qing and danmei writers in the cultural industry. European Journal of Cultural Studies, 0(0). https://doi.org/10.1177/13675494241270468Wang, N., Ge, L. (2022). Fan Conflicts and State Power in China: Internalised Heteronormativity, Censorship Sensibilities, and Fandom Police. Asian Studies Review, 47(2), 355–373. https://doi.org/10.1080/10357823.2022.2112655巫哲，《撒野》淮上，《破云》Ge, L. (2021) ‘Problematizing heteronormativity: Performativity, resignification and A/B/O fiction in Chinese danmei literature’, East Asian Journal of Popular Culture, 7(2), pp. 241–254. Available at: https://doi.org/10.1386/eapc_00051_1.一十四洲，《小蘑菇》，《C語言修仙》，《仙道第一小白臉》BGM: Goldberg Variations, BWV. 988 - Variation 22